GHOSTLIGHT
Starring: Keith Kupferer, Dolly De Leon, Katherine Mallen Kupferer, Tara Mallen, and Hanna Dworkin
Director: Kelly O’Sullivan
AMARÚ
I recently mentioned that 2024 went two-for-two in outside-the-box music biopics (Piece by Piece and Better Man). The year also delivered an even more successful two-for-two in dramatic ensemble pieces highlighting how theater can heal the soul. Ghostlight is an amazing second punch to Sing Sing’s first due to its outstanding cast, led by my Oscar snub Keith Kupferer, and a devastating story unfolded beautifully through director Kelly O’Sullivan’s screenplay. Ghostlight will stick to your ribs for days after experiencing it, leaving you both heartbroken and hopeful in everything that life brings, whether tragic or beautiful.
PAIGE
Ghostlight is a tender and ever-so-sweet film that packs an emotional punch, so have your tissues nearby. The film does a brilliant job of examining a family's grief and how each of us deals with loss differently. It also looks at the arts and how theater specifically can be used as an outlet to access emotions to help one break free and eventually heal. Its phenomenal script is enhanced by superb performances, particularly from Keith Kupferer, who, in my opinion, delivers one of the year's best performances. To be honest, this little indie is one of the most moving films of 2024, so if you can, seek out this gem.
QUENTIN
Ghostlight is a somber, hidden gem that explores grief and the ways in which people process it. Dan’s (Keith Kupferer) denial and Daisy’s (Katherine Mallen Kupferer) anger are palpable as they deal with the loss of a loved one, and the real-life family connection of the on-screen Muellers, who are portrayed by the entire Kupferer family, only adds to the authenticity. Much like Sing Sing, Ghostlight also explores the healing power of the theater and, honestly, does a better job of it despite not having the same star power or studio clout behind it. It’s a heavy watch, but a worthy one, too.
